"In a Sentimental Mood" is a jazz composition by Duke Ellington which is also performed as a song. Ellington composed the piece in 1935 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Irving Mills and Manny Kurtz. According to Ellington, the song was born in Durham, North Carolina. "We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano."[1] The original recording featured solos by Otto Hardwicke, Harry Carney, Lawrence Brown, and Rex Stewart.
"In a Sentimental Mood" makes use of a musical technique called contrapuntal or chromatic embellishment of static harmony. This is also sometimes referred to as a line cliché.
Ellington recorded his best-known version together with John Coltrane, which is featured on Duke Ellington and John Coltrane and Coltrane for Lovers. The song has been performed by many other artists including Phyllis Hyman, Ella Fitzgerald, Sarah Vaughan, Art Tatum, Oscar Peterson, Bill Evans, Stan Getz, Django Reinhardt, Lucky Thompson, Jay McShann, Benny Goodman, Pedro Rossi, Billy Joel, Nancy Wilson, Dr. John, Sonny Rollins, Michael Brecker (Steps Ahead), Daniel Barenboim, Edvard Sađil, Larry Coryell (from his 2001 album Inner Urge),[2][3], Rob Mullins[4][5], Archie Shepp, and Alex Bugnon.[6][7]
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"In a Sentimental Mood" has also been in a soundtrack, specifically in Prime.
This song was also featured in the movie Love Jones.
It was also featured in an episode of The Cosby Show.
The song was featured in the 1991 comic book film, The Rocketeer. The tune was played during a memorable dance sequence between Timothy Dalton and Jennifer Connelly.
A version by Benny Goodman also appears in an episode of the Ken Burns documentary The War called "When Things Get Tough."
Performed in Basil Deardon's 1962 re-telling of Othello, All Night Long.
It is also available on the soundtrack of Me and Orson Welles (2009) performed by Benny Goodman and his Orchestra